Get ready to be moved—a small town’s extraordinary act of kindness is taking center stage in a way you’ve never seen before. Come From Away, the Tony Award-winning musical that turned a moment of global crisis into a story of hope, is getting a fresh and unforgettable reimagining at Paper Mill Playhouse. But here’s where it gets even more captivating: this production features the actors playing instruments live onstage, blending music and storytelling in a way that feels both raw and revolutionary. Directed and choreographed by Richard J. Hinds, this version promises to breathe new life into an already beloved show.
Performances kick off on Wednesday, February 4, with the official opening night set for Sunday, February 8, at Paper Mill Playhouse (22 Brookside Drive, Millburn, NJ). The run continues through Sunday, March 1, giving audiences plenty of time to experience this powerful tale. And trust us, you won’t want to miss it.
The all-star cast includes Jeannette Bayardelle (Girl from the North Country, & Juliet) as Beverley/Annette, Andréa Burns (The Notebook, In the Heights) as Diane, and James Moye (Bull Durham, Tootsie) as Claude, among other talented performers. Each actor brings their own instrument to the stage, creating a live musical experience that feels both intimate and epic. But here’s the part most people miss: this isn’t just a musical—it’s a testament to humanity’s ability to find light in darkness.
Set against the backdrop of September 11, 2001, Come From Away tells the true story of 7,000 airplane passengers stranded in Gander, Newfoundland, after the attacks. What happened next is nothing short of miraculous: a tight-knit community opened its doors, turning fear into friendship and strangers into family. With a spirited score, heartwarming humor, and a book by Irene Sankoff and David Hein, this musical reminds us of the power of compassion—even in the face of tragedy.
But here’s where it gets controversial: While the show is celebrated for its uplifting message, some critics argue it oversimplifies the complexities of post-9/11 trauma. What do you think? Does Come From Away strike the right balance, or does it gloss over harder truths? Let us know in the comments—we’d love to hear your take.
Behind the scenes, the creative team is just as impressive. Sam Groisser leads as Music Director, while Nate Bertone’s scenic design and Michelle J. Li’s costumes transport audiences to the heart of Newfoundland. Patricia L. Grabb serves as Production Stage Manager, ensuring every detail is flawless. And let’s not forget the accessibility programs, generously supported by foundations like The Blanche and Irving Laurie Foundation and the National Endowment for the Arts, making this production inclusive for all.
During the run, Paper Mill Playhouse is hosting special events you won’t want to miss. On Saturday, February 7, meet the real-life inspirations behind the characters in a Q&A with Producing Artistic Director Mark S. Hoebee. And this is the part most people miss: On Wednesday, February 25, there’s a special student matinee with a cast Q&A—a perfect opportunity for young audiences to engage with the story.
Sponsored by Arline and Jim Cox, with The GenWealth Group as the Opening Night Sponsor, this production is a testament to the power of community—both on stage and off. So, what are you waiting for? Grab your tickets and experience Come From Away like never before. But before you go, we have to ask: In a world that often feels divided, can stories like this still bring us together? Share your thoughts below—we’re all ears.
Photo Credit: Jeremy Daniel
